House

Here’s where I really lost my gay membership card. When my friends and I used to go out regularly (roughly a million years ago), the clubs all played hip-hop and funk. Loved it. After a couple of years, they all switched to house. Hated it. Which is a bit ironic, given my teen love of disco and how closely the two styles are related. On the other hand, I never said I was consistent.

House AllMusic page

Go-Go

There was a brief time in the late 80s where critics predicted go-go would be the next national craze, rivaling hip-hop in popularity. This turned out to be a bit optimistic: Even given the huge success of E. U.’s “Da Butt,” I’m pretty sure that, all by themselves, the Go-Gos (the group) outsold all the go-go (the genre) acts combined.

Go-Go AllMusic page

Gladys Knight & the Pips

Gladys Knight seems like the happiest person ever—kind of the female equivalent of Al Green. Then again, she’s apparently a devout Mormon, so maybe happiness is a job requirement. (And Al is a reverend … I am spotting a trend here …)

Gladys Knight & the Pips AllMusic page

George Clinton/ Parliament/Funkadelic

George Clinton is part of that the lineage (Sun Ra, Yma Sumac, etc.) that makes a pretty good argument that at some point space aliens invaded earth and took the form of musicians in a variety of genres. Space aliens or no, if the British Empire had been run by Parliament (the group) instead of Parliament (the government body), the world would be a much cooler place.

George Clinton AllMusic page

Parliament AllMusic page

Funkadelic page

Four Tops

There’s a gay joke to be made about how unlikely it is that a group made up of four tops has managed to stay together for 50 years. But I’ll just listen to “Sugar Pie, Honey Bunch” again, start tapping my toes, and shut up.

Four Tops AllMusic page

Fats Domino

Proof that 50s music was more subversive than you might think, part 3: When Fats Domino found his thrill on Blueberry Hill, I’ll bet it had nothing to do with pie. Not to mention all that bad grammar. Just saying.

Fats Domino AllMusic page

Etta James

Proof that 50s music was more subversive than you might think, part 1: When Etta James was telling Henry to roll with her, I don’t think she meant playing Jack & Jill (unless that’s a metaphor). “Wallflower,” my butt.

Etta James AllMusic page

Earth, Wind & Fire

How awesome were Earth, Wind, & Fire? Even their obligatory dumb disco song, “Boogie Wonderland,” is awesome. Plus, when they performed it live with the Emotions, there were about 150 people onstage. The 70s rocked.

Earth, Wind & Fire AllMusic page

Doo Wop

If you ever want to make yourself really sad, listen to Joni Mitchell’s cover of “Why Do Fools Fall in Love” (awful), then Diana Ross’s (worse), then James Taylor’s version of “Up on a Roof” (deadly dull), then Bruce Willis’s take on “Under the Boardwalk” (at which point, you might want to shoot yourself). Then play the originals, get happy again, and wonder why anyone ever tries to mess with perfection.

Doo Wop AllMusic page

Donna Summer

There are some things I have an intense and possibly unhealthy passion for. In the food category, peanut butter and plums. In music, Donna Summer. I know, I know—”Adam and Steve” blah blah blah. I said it was possibly unhealthy.

Donna Summer AllMusic page