During the early/mid 90s, about once a year a female artist released an album that completely blew me away: Shawn Colvin’s Fat City (her one happy album—short marriage), Cassandra Wilson’s Blue Light Til Dawn (before she started repeating herself and got boring), and my favorite of all, Wrecking Ball by Emmylou Harris. Not sure who decided to team the country darling up with moody electronics, but I’m awfully glad they did. Of course, she also recorded a trio album with Linda Ronstadt and Dolly Parton—nobody’s perfect.
When emmylou is good she’s very good – regards Thom
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